
Archival Pigment Ink Print Editions
Huntington Witherill Archival Pigment Ink Print Editions are currently produced using an Epson Stylus Pro 7800 Printer,
Ultrachrome K3 pigment based inks, and 100% rag content fine art papers. All work is completed exclusively by the photographer.
Pigment Ink Print Pricing
Current pricing for available limited edition pigment ink prints can be found on the enlargement page associated with each specific image, in the various galleries.
Print Sizing, Overmatting, and Presentation Information
Detailed information about specific print sizing, overmatting, and overall presentation methods used for purchased Linmited Edition Archival Pigment Ink prints can be accessed by downloading the following PDF file: Presentation Information.pdf
Limited Editions
Editions are divided into two main categories so as to distinguish between color images and black & white images. Within each main category
are two sub-categories separating editions by overall print size. The print size categories consist of a “Regular Edition” and an “Oversized Edition”.
And further, each Regular and Oversized edition is segregated according to whether the editioned image was produced using a “Standard” format aspect
ratio (1:1.25) or a “Panorama” format aspect ratio (1:2.5). Please note that no individual image (photograph) can be designated as both Standard format
and Panorama format.
Each edition is limited to the stated number of prints indicated, plus a total of five (5) initialed Artist Proof prints (AP’s) per image. Once
an edition has been sold out, no other archival pigment ink prints of that image will be produced.
Pigment Ink Editions created after September 1, 2008*
Color Pigment Ink Editions
| |
Edition |
Format |
Image Size 2 |
Number of Prints 3 |
| |
Regular |
Standard Panorama |
20” or smaller 32.5” or smaller |
125 signed and numbered prints. 125 signed and numbered prints. |
| |
Oversized 1 |
Standard Panorama |
Over 20” Over 32.5” |
15 signed and numbered prints. 15 signed and numbered prints. |
Black & White Pigment Ink Editions
| |
Edition |
Format |
Image Size 2 |
Number of Prints 3 |
| |
Regular |
Standard Panorama |
20” or smaller 32.5” or smaller |
125 signed and numbered prints. 125 signed and numbered prints. |
| |
Oversized 1 |
Standard Panorama |
Over 20” Over 32.5” |
15 signed and numbered prints. 15 signed and numbered prints. |
Pigment Ink Editions created before September 1, 2008*
Color Pigment Ink Editions
| |
Edition |
Format |
Image Size 2 |
Number of Prints 3 |
| |
Regular |
Standard Panorama |
20” or smaller 32.5” or smaller |
125 signed and numbered prints. 125 signed and numbered prints. |
| |
Oversized 1 |
Standard Panorama |
Over 20” Over 32.5” |
15 signed and numbered prints. 15 signed and numbered prints. |
Black & White Pigment Ink Editions
| |
Edition |
Format |
Image Size 2 |
Number of Prints 3 |
| |
Regular |
Standard Panorama |
20” or smaller 32.5” or smaller |
50 signed and numbered prints. 50 signed and numbered prints. |
| |
Oversized 1 |
Standard Panorama |
Over 20” Over 32.5” |
15 signed and numbered prints. 15 signed and numbered prints. |
Why are there different Editions before and after September 1, 2008?
On September 1, 2008, revisions to my Pigment Ink Print Editions (those that had been published prior to August 31, 2008) were instituted. A
majority of the then active editions (which had been previously segregated according to specific print size) were combined and consolidated.
The net effect of those revisions reduced the total number of available prints for those images by as much as 50%. The edition revisions were
instituted to allow for greater flexibility with respect to available print sizes, protect past collectors’ investments, make for easier and
simpler record keeping, and maintain, if not enhance, the value of my work.

2008 Archival Pigment Ink Print Edition Revisions Announcement
Effective September 1, 2008, there will be a significant reduction in the total number of available prints for most of my
currently available Pigment Ink Print Editions. The changes outlined herein are designed to protect past collectors’ investments, allow for greater
flexibility with respect to the print sizes I am able to offer, make for easier and simpler record keeping, and maintain, if not enhance, the value
of my work.
By combining and consolidating some of the currently available editions that have been previously segregated by print size, and concurrently reducing
the total number of available prints in those combined editions by as much as 50%, I will gain some flexibility in being able to offer limited edition
archival pigment ink prints in a wider variety of image sizes while continuing to maintain the integrity of previously published editions.
In implementing these changes it is most important to me that the integrity of my previously established editions continue to be maintained, both for
the sake of continuity in record keeping, as well as for the protection of previous collectors’ investments. Therefore, it is important to understand
that the consolidation of most of the currently published editions will, first and foremost, effectively result in a reduction of the total number of
available prints for those images by 50%.
Once the new editioning strategy is in place, the total number of prints (including all previously distributed prints) available for any given image (regardless of its image size) will break down as follows:
Before and After Edition Revisions- (comparisons on a per image basis)
| Color Pigment Ink Print Editions- (including all numbered prints and AP’s) |
| Standard Format (including all numbered prints and AP’s) |
|
Prior to September 1, 2008 |
• |
270 total prints |
|
Beginning September 1, 2008 |
• |
145 total prints |
| Panorama Format (including all numbered prints and AP’s) |
|
Prior to September 1, 2008 |
• |
270 total prints |
|
Beginning September 1, 2008 |
• |
145 total prints |
| Black & White Pigment Ink Print Editions - (including all numbered prints and AP’s) |
| Standard Format (including all numbered prints and AP’s) |
|
Prior to September 1, 2008 |
• |
120 total prints |
|
Beginning September 1, 2008 |
• |
145 total prints |
| Panorama Format (including all numbered prints and AP’s) |
|
Prior to September 1, 2008 |
• |
120 total prints |
|
Beginning September 1, 2008 |
• |
145 total prints |
With the above outlined editioning strategy it is also important to understand that when the current “small” and “medium” sized editions are combined,
the total number of previously distributed prints will be added together, and the next available print number will be used as a starting point for subsequent
print numbering. For example: color image #30801- Iris #20, 2003, currently indicates 19 “small” sized prints (8”x20”) and 17 “medium” sized prints (13”x32.5”)
having been previously distributed. Thus, under the new strategy the next available print of this image from the “Regular” edition (13”x32.5”, or smaller) will
be designated as print #37/125. (19+17+1=37).
Finally, after September 1, 2008, it is also my intention that any newly introduced Black and White Pigment Ink “Regular” Edition shall consist of 125 signed and numbered prints (rather than 50)
so as to achieve parity with the current and revised color editions.
It is my hope that the above outlined strategy for the restructuring of my Archival Pigment Ink Print Editions will serve to simplify my record keeping, allow me to offer prints in a wider
variety of sizes, and also maintain the integrity of previously introduced editions. Should you have questions regarding the revised editioning I can be contacted through the
contact page.